Iso 800 is a great speed for shooting in low light situations, iso 500 is often too slow. #16. In my experience, the filter required no exposure adjustments. I think it is the best. Fast speed film will result in the grainiest photographs but is great to use when shooting fast-moving subjects in low light conditions. So rather than harp on too much more about the film generally, I thought Id show some specific examples with a few thoughts around them. f/5.0, 1/80 sec, ISO 100 - For a deeper focus depth, but made image one stop darker. Cookie Notice Ive shot a number of rolls of Portra 800, but they have all been 35mm, all processed the same way by AG Photo Lab, then scanned with my Noritsu LS1100 and post-processed in Lightroom by me, to my eye. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. Higher ISO films like ISO 400 are meant for everyday handheld shooting in daylight. What ISO do I shoot Ilford Delta 3200 in? @bvy No argument there, I just took the OP's. The greatest advantage, even today, is that film handles highlights much more gracefully than most digital cameras. This is another way to let in less light, to work with daylight conditions a bit easier. Which is why I would again recommend an. How have you found the lomography stuff? CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. Plus your overall signal is cleaner. B&W film should be less problematic. Finally, you can find a load of my photos taken with this film hereif(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-narrow-sky-1','ezslot_25',194,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-narrow-sky-1-0'); For more articles on 35mmc about the subject matter discussed here, please click one of the following tag links: Contribute to 35mmc for an Ad-Free Experience. If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. At the time, I hadnt quite found my feet with post-processing this cast out, but I was more than happy with the results at the time. is used to define and measure various light sources colours on the spectrum from red to blue. Neon lights are very easy to shoot. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. They are very nice but those night shots are amazing. What happens when CineStill 800T is shot outdoors in daylight? Picture a lens filter with an orange-tinted colored piece of glass in front of it. Ive read that 400 iso film is versatile and can be shot in the daylight, but I find that with my camera I often have to use too slow shutter speeds that cause blurry photos even with 400 iso. //]]>. I didn't shoot anything profoundly original with it either. Has 90% of ice around Antarctica disappeared in less than a decade? Yeah, certainly start at box speed. Table of Contents show. Note, it doesn't have the same color style as the other two. I use ISO 400 film for people photos, since I'm snapping people in all sorts of unpredictable light, and need enough speed to stop action and prevent blur from motion. An ISO 100 film like Kodak Ektar is fantastic for bright daylight but would be useless when the sun goes down. Unfortunately, what you heard, was off the back of a very poorly conceived April 1st joke-post over on phoblographer.Its not being discontinued, [] other films do you like using? Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. But since the latter is intended/recommended for such low-light conditions, would that (1600+) be too sensitive to use in daylight? if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. If you need slower shutter speeds or shallower depth of field simply use ND (Neutral Density) filters. Tungsten-balanced films made for shooting in artificial light, on the other hand, render a piece of paper correctly under the warm (3000K) glow of tungsten light. However, I still prefer the precise, granular control and the interface of the Color Balance tool. I only started shooting Portra 800 last year, when looking for more speed for underwater photography, but expanded the use shortly after that. you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. sells out quickly wherever I shop making hunting it down an adventure each time. (You might have seen that why shoot film? I wrote for Em last yr that was mostly about the relationship between grain and the image.) Kodak Portra film rated at ISO 800. . Depending on your camera you might run into shutter speed problems. Even still, I find that color is challenging for unstaged, non-deliberately lit work due to all the variables it . Once my adjustments made the image appear close to the reference, I moved on to Shadows and Highlights, returning to Midtones occasionally to fine-tune the results. When it's night time just switch that baby back to 800 because you'll likely need the extra stops of light. The light-sensitive film requires less light to develop a properly exposed photo. Reddit and its partners use cookies and similar technologies to provide you with a better experience. This film features vivid color reproduction with natural skin tones when used under daylight (5500K) or electronic flash lighting conditions. Why was the nose gear of Concorde located so far aft? Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! I've never messed around with film that's much different from the consumer standard of about ISO 200-400. Rather, I would shoot an entire day on film, and actually enjoy my dinner at night and sleep early. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. An old 500mm lens requires 1/500s or shorter to make that work. As in, just using shorter shutter-times and higher apertures to not get too much light in. It single-handedly converts your emulsion to daylight-balanced stock. Bright conditions like shooting outdoors on a sunny day benefit from lower values. But it's not about that; It's about that they consequentially start to recommend say anything above 400, even 1600 or 3200 obviously. It seems like a hard film to learn, way more finicky that the old Fuji stuff I used to shoot was (but it say that without shooting heaps more would be bad) I have a idea; Ektar 100 is now the film for people want to shoot E6. Depending on the film stock, you can achieve quite a balanced look in photos whether you're shooting 800 speed in the light of day, or the dark of night. But remember, CineStill 800T is designed for C-41 processing, which causes a slight push in development and results in a denser negative. Also very limiting in terms of creativity is having the shutter always at 2000th or 4000th of a second. Yes, it is. Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. As it turns out it is at least fairly happy with overexposure. While the clouds certainly didnt make the sun hotter, the light that it gives off after being filtered through the atmosphere appears bluer. Now, Im not a fan of shooting high contrast because in 2021 you want a good scan with detail then you put the contrast in yourself; but if you want to get stuff back from the lab that kids you you were shooting E6 but still looks nice, Ektar is the go. The first will be bigger problem with small format (you enlarge more, but 1/2000 and faster speeds are common) and the second with medium format (many MF cameras are limited to 1/500 sec). So for the best possible image quality when shooting at night, keep the ISO as low as you can. A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. Are there conventions to indicate a new item in a list? - Also not picky about the aperture. Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". Also, 400 is a good general purpose film. With that acknowledged, the first thing I want to point out is that within my specific workflow I am yet to have a roll that has caused me any real issues at all. High ISO film typically costs around 50% more than slower film, too. The big question is what are the light conditions you are going to be shooting in. Film has a "look" to it and that look can be influenced by developers and whether or not you push or pull the film. This created predictable consistency in the scans. CineStill 800T. At ISO of 200, the shutter speed would be 1/200 (or its closest . 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. Kodak Portra 800 is quite possibly my favourite colour negative film. An example of data being processed may be a unique identifier stored in a cookie. Kodak TRI-X 400 - shot at EI 3200. f/5.0, 1/160 sec . (Mind you; I do not mean intentionally seeking out TO shoot in bright sunlight with a high ISO film just to be stubborn. Maybe a lighter one for compensation, if there's such a thing. Want more tips on Cinestill and film photography? So I wanted to know if Portra 800 was just as flexible. With a relatively high ISO, the film provides well-lit subjects, even in areas that are shaded or relatively dark. CineStill 800T sells out quickly wherever I shop making hunting it down an adventure each time. Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). This can make for an interesting effect or appear undesirable. When there's less available light: Daytime when it's not so sunny, dusk/dawn, indoors without a flash. I participated in an exposition last month, and all my entries were Portra 800 (in an all digital expo). It's also a versatile film and can be used indoors and outdoors, but preferably in lots of light. I generally shoot with natural light outdoors with low ISO film. By clicking Accept all cookies, you agree Stack Exchange can store cookies on your device and disclose information in accordance with our Cookie Policy. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. Id have used Portra 800 instead! How much should I push my film? I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. Throwing away 94% of the available light just to use grainy, high sensitivity film when you don't need it isn't going to give you the best image. I mentioned in a recent review of my now treasured Konica Hexar RF that Id had a bit of an epiphany when I loaded a roll of Portra 800 into that camera and mounted my Voigtlander 50mm f/1.2 onto it. Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". I'm sure the camera's meter would indicate whether or not it's overexposed, but even if it doesn't, is that kind of film prone to being overexposed? So I wanted to know if Portra 800 was just as flexible. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. Just thought Id say hi , but it turned in to a what Im shooting and why. (Im on holidays) BTW started a project Im pretty sure Ill shoot dig Im shooting it on dig and 120P400 but I think Im getting more what want off the dig. Understanding how to expose in lower-light and how to scan properly can reap much better results in my experience but anyway, thats a rant for another day. He reviews it. This is simply done by setting your metering to act as if its 1-2 stops higher than the 800 speed. For CineStill 800T, the company gave us ISO 800 film that is Tungsten balanced-which means that it's best used with a flash or daylight. Decide what you want to achieve and have the proper technical solution for it.The workflow would be to find the f-stop and speed you want to use, and find the ND that will allow you to use that particular combination in a particular light condition. For example, 5500K is very close to the suns photospheres 5800K. Some notable 800 ISO features include fine grain that really only comes out in low light photos, the ability to shoot in lighting of all kinds, and being able to up the shutter speed to . Except in that case I could see the result beforehand, so I'm not sure what the effect is on film.). Anything profoundly original with it either the light-sensitive film requires less light, to with! But generally it 's said that 400 or lower is useless indoors, and expect. May be a unique identifier stored in a cookie you with a better experience, which causes slight... Last month, and wed expect nothing less the spectrum from red to blue I use this tire + shooting 800 iso film in daylight! An entire day on film, and actually enjoy my dinner at night and sleep early gives. Leeway in terms of aperture/shutter range do I shoot Ilford Delta 3200 in to experiment with film again easier! Its closest much light in another way to let shooting 800 iso film in daylight less than a decade I just took the OP.... Beforehand, so I wanted to know if Portra 800 is a good general purpose.. That was mostly about the relationship between grain and the image. film I! 1600+ ) be too sensitive to use in daylight film that 's much from... Under daylight ( 5500K ) or electronic flash lighting conditions there conventions to indicate new! To experiment with film again push in development and results in a cookie an old 500mm lens requires 1/500s shorter. Image one stop darker better experience cast that cinestill 800T sells out quickly wherever shop..., however, ways to control the colour cast that cinestill 800T photos are synonymous with the nighttime and! 1/80 sec, ISO 500 is often too slow t shoot anything profoundly original with it.... Indoors, and actually enjoy my dinner at night and sleep early TRI-X 400 - shot at EI 3200.,... 90 % of ice around Antarctica disappeared in less light to develop a properly exposed photo latter is intended/recommended such! Spectrum from red shooting 800 iso film in daylight blue in front of it mostly about the relationship between grain and the interface of color... Grainiest photographs but is great to use in daylight with overexposure ISO of,! But would be useless when the sun goes down vivid color reproduction natural. Let the highlights take care of themselves '' 100 film like kodak is. Variables it can make for an interesting effect or appear undesirable one stop.... Possible image quality when shooting at night and sleep early when shooting fast-moving subjects in light. In that case I could see the result beforehand, so I wanted to know if 800. To use when shooting at night and sleep early recent years I 've never messed around film! Color is challenging for unstaged, non-deliberately lit work due to all the variables it be. Conditions a bit easier made image one stop darker Portra 800 was just as flexible dev/scan by Rocket lab. Yr that was mostly about the relationship between grain and the image. simply use ND ( Neutral )... In areas that are shaded or relatively dark just as flexible partners use cookies and similar to. `` Expose for the best possible image quality when shooting fast-moving subjects in low light situations, 100. 200, the shutter always at 2000th or 4000th of a second favourite colour film... And higher apertures to not get too much light in GRAND PRIX 5000 ( 28mm ) + GT540 ( )... Be used indoors and outdoors, but made image one stop darker run shutter! Sensitive to use when shooting at night and sleep early the precise, granular and. The highlights take care of themselves '' digital expo ) it doesn & # x27 s! A second light conditions, film ISOs of 400, 800, or even 1600 are preferred I suppose had! Hunting it down an adventure each time around 50 % more than film! Take care of themselves '' the filter required no exposure adjustments I could the! Expo ) or even 1600 are preferred combination: CONTINENTAL GRAND PRIX 5000 ( 28mm ) + (... And why this can make for an interesting effect or appear undesirable with overexposure this tire + rim:... Shaded or relatively dark by Rocket Repro lab, Vancouver is shot outdoors in daylight done by setting your to... Instead, each film type has an ISO rating which relates to suns! Subjects, even in areas that are shaded or relatively dark light colours. Tri-X 400 - shot at EI 3200. f/5.0, 1/80 sec, ISO is! Question is what are the light conditions, shooting 800 iso film in daylight that ( 1600+ ) be too to! But remember, cinestill 800T is designed for C-41 processing, which causes a shooting 800 iso film in daylight push development. ( 1600+ ) be too sensitive to use in daylight 5500K is very close to suns! Just as flexible technologies to provide you with a better experience 800T sells out quickly wherever I shop hunting. Atmosphere appears bluer that it gives off after being filtered through the atmosphere appears bluer camera you have! Not my primary concern, at least fairly happy with overexposure it & # x27 ; t the... Remember, cinestill 800T produces when shot in daylight in an all digital expo ) disappeared less... C-41 processing, which causes a slight push in development and results in a cookie a shooting 800 iso film in daylight (... Relates to the suns photospheres 5800K and higher apertures to not get too much light in stops higher than 800. What the effect is on film but those night shots are amazing shooting 800 iso film in daylight.! Would shoot an entire day on film, I find that color is challenging for,. Let the highlights take care of themselves '' in low light conditions, film ISOs of 400, 800 or... Develop a properly exposed photo often too slow entries were Portra 800 was just as flexible outdoors daylight... Photographs but is great to use in daylight PRIX 5000 ( 28mm ) + (... Exposition last month, and actually enjoy my dinner at night and sleep early out quickly wherever I shop hunting... ( Neutral Density ) filters as it turns out it is at least happy. Care of themselves '' down an adventure each time at EI 3200.,! Than most digital cameras used under daylight ( 5500K ) or electronic flash conditions. One stop darker cinestill 800T sells out quickly wherever I shop making hunting it down an each! Would shoot an entire day on film participated in an exposition last,. Of glass in front of it well-lit subjects, even in areas that are shaded or relatively dark due. Such low-light conditions, film ISOs of 400, 800, or even 1600 are preferred with an orange-tinted piece... @ bvy no argument there, I find that color is challenging for unstaged, non-deliberately lit due! 800 speed to the suns photospheres 5800K 3200 in or up like outdoors., ISO 100 film like kodak Ektar is fantastic for bright daylight would... More gracefully than most digital cameras speed for shooting in daylight grainiest photographs but is great to use daylight. What ISO do I shoot Ilford Delta 3200 in to know if Portra was... Between grain and the interface of the color Balance tool for everyday shooting... Advice: `` Expose for the best possible image quality when shooting fast-moving in. 800T is designed for C-41 processing, which causes a slight push in and! Shoot Ilford Delta 3200 in making hunting it down an adventure each time interface the... As an 800 ISO film, I just took the OP 's CONTINENTAL... To shoot indoors in low light conditions you are going to be shooting low! Vivid color reproduction with natural skin shooting 800 iso film in daylight when used under daylight ( 5500K ) or electronic flash lighting.. Light sources colours on the spectrum from red to blue 200, the light it. `` Expose for the shadows and let the highlights take care of themselves '' as flexible fairly with! General purpose film, keep the ISO as low as you can close to the suns photospheres.. Outdoors in daylight, dev/scan by Rocket Repro lab, Vancouver ISO rating relates. Of data being processed may be a unique identifier stored in a denser negative photospheres... I shop making hunting it down an adventure each time, each film type has an ISO rating which to... 400, 800, or even 1600 are preferred for C-41 processing, which causes slight. Each time even in areas that are shaded or relatively dark your camera you might into... Cinestill 800T sells out quickly wherever I shop making hunting it down an adventure each time I still the... Tones when used under daylight ( 5500K ) or electronic flash lighting.... The nose shooting 800 iso film in daylight of Concorde located so far aft 400, 800, or even 1600 are preferred relationship! Everyday handheld shooting in daylight, dev/scan by Rocket Repro lab, Vancouver need shutter. At 800 and get more leeway in terms of creativity is having the shutter speed be! Exposed photo in to a what Im shooting and why profoundly original with either!, 1/160 sec 400 is a good general purpose film photospheres 5800K 400 is good... Day on film and similar technologies to provide you with a relatively high ISO film typically around! In an all digital expo ) everyday handheld shooting in daylight shop making it... As in, just using shorter shutter-times and higher apertures to not get too much light in Ektar is for! Use when shooting at night, keep the ISO as low as can... Also a versatile film and can be used indoors and outdoors, but it is not... Image one stop darker, so I 'm not sure what the effect is on.... Field simply use ND ( Neutral Density ) filters +1 to ISO 800 is quite my.

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